Who owns a commissioned product photograph

13 provisions of US and UK copyright law and guidance on who owns a photograph, each quoted from the statute or the authority's own page, read 28 October 2026.

13 provisions Provisions read in US and UK law across 13 pages, 28 Oct 2026
7 of 13 Whose law it is: the United States the commonest of 2 answers
5 of 13 What the provision settles: when the employer or commissioner owns it from the start the commonest of 4 answers
13 of 13 The rule, in its own words: stated the provisions that put it in writing in their pages, each quoted below
13 Pages reviewed 13 of them named; answers dated and pinned by hash

Whose law it is

  1. the United States7 provisions
  2. the United Kingdom6 provisions
Across 13 provisions, a single answer each.
Counts
RowValue
the United States7 provisions
the United Kingdom6 provisions

What the provision settles

  1. when the employer or commissioner owns it from the start5 provisions
  2. who is the author and first owner3 provisions
  3. what form a transfer of ownership must take3 provisions
  4. that a photograph is protected2 provisions
Across 13 provisions, a single answer each.
Counts
RowValue
when the employer or commissioner owns it from the start5 provisions
who is the author and first owner3 provisions
what form a transfer of ownership must take3 provisions
that a photograph is protected2 provisions

The rule, in its own words

  1. stated13 provisions
Across 13 provisions, a single answer each.
Counts
RowValue
stated13 provisions

Every answer from every provision

Every row is a single provision, and every answer expands to the wording it was taken from, the page it came from and when it was read. "Not stated" is used when the page says nothing on the point.

ProvisionWhose law it isWhat the provision settlesThe rule, in its own words
17 U.S.C. 101, commissioned works (Cornell LII copy)
the United States

(2) a work specially ordered or commissioned for use as a contribution to a 17 U.S. Code section 101

when the employer or commissioner owns it from the start

(2) a work specially ordered or commissioned for use as a contribution to a 17 U.S. Code section 101

(2) a work specially ordered or commissioned for use as a contribution to a

(2) a work specially ordered or commissioned for use as a contribution to a 17 U.S. Code section 101

17 U.S.C. 101, definition of a work made for hire
the United States

(1) a work prepared by an employee within the scope of his or her employment; or Title 17 chapter 1 (US Copyright Office)

when the employer or commissioner owns it from the start

(1) a work prepared by an employee within the scope of his or her employment; or Title 17 chapter 1 (US Copyright Office)

(1) a work prepared by an employee within the scope of his or her employment; or

(1) a work prepared by an employee within the scope of his or her employment; or Title 17 chapter 1 (US Copyright Office)

17 U.S.C. 201(a), initial ownership
the United States

Copyright in a work protected under this title vests initially in the author or authors of the work. 17 U.S. Code section 201

who is the author and first owner

Copyright in a work protected under this title vests initially in the author or authors of the work. 17 U.S. Code section 201

Copyright in a work protected under this title vests initially in the author or authors…

Copyright in a work protected under this title vests initially in the author or authors of the work. 17 U.S. Code section 201

17 U.S.C. 201(b), works made for hire
the United States

In the case of a work made for hire, the employer or other person for whom the work was prepared is considered the author for purposes of this title Title 17 chapter 2 (US Copyright Office)

when the employer or commissioner owns it from the start

the employer or other person for whom the work was prepared is considered the author for purposes of this title Title 17 chapter 2 (US Copyright Office)

unless the parties have expressly agreed otherwise in a written instrument signed by…

unless the parties have expressly agreed otherwise in a written instrument signed by them, owns all of the rights comprised in the copyright Title 17 chapter 2 (US Copyright Office)

17 U.S.C. 204(a), transfers in writing
the United States

A transfer of copyright ownership, other than by operation of law, is not valid unless an instrument of conveyance 17 U.S. Code section 204

what form a transfer of ownership must take

A transfer of copyright ownership, other than by operation of law, is not valid unless an instrument of conveyance, or a note or memorandum of the transfer, is in writing and signed by the owner of the rights conveyed 17 U.S. Code section 204

A transfer of copyright ownership, other than by operation of law, is not valid unless an…

A transfer of copyright ownership, other than by operation of law, is not valid unless an instrument of conveyance, or a note or memorandum of the transfer, is in writing and signed by the owner of the rights conveyed or such owner’s duly authorized agent. 17 U.S. Code section 204

CDPA 1988 s.11(2), employees' works
the United Kingdom

is made by an employee in the course of his employment, his employer is the first owner of any copyright in the work subject to any agreement to the contrary. Copyright, Designs and Patents Act 1988, section 11

when the employer or commissioner owns it from the start

is made by an employee in the course of his employment, his employer is the first owner of any copyright in the work subject to any agreement to the contrary. Copyright, Designs and Patents Act 1988, section 11

is made by an employee in the course of his employment, his employer is the first owner…

is made by an employee in the course of his employment, his employer is the first owner of any copyright in the work subject to any agreement to the contrary. Copyright, Designs and Patents Act 1988, section 11

CDPA 1988 s.4, photographs as artistic works
the United Kingdom

a graphic work, photograph, sculpture or collage, irrespective of artistic quality, Copyright, Designs and Patents Act 1988, section 4

that a photograph is protected

a graphic work, photograph, sculpture or collage, irrespective of artistic quality, Copyright, Designs and Patents Act 1988, section 4

“photograph” means a recording of light or other radiation on any medium on which an…

“photograph” means a recording of light or other radiation on any medium on which an image is produced or from which an image may by any means be produced, and which is not part of a film; Copyright, Designs and Patents Act 1988, section 4

CDPA 1988 s.9, the author
the United Kingdom

In this Part “author”, in relation to a work, means the person who creates it. Copyright, Designs and Patents Act 1988, section 9

who is the author and first owner

In this Part “author”, in relation to a work, means the person who creates it. Copyright, Designs and Patents Act 1988, section 9

In this Part “author”, in relation to a work, means the person who creates it.

In this Part “author”, in relation to a work, means the person who creates it. Copyright, Designs and Patents Act 1988, section 9

CDPA 1988 s.90(3), assignment in writing
the United Kingdom

An assignment of copyright is not effective unless it is in writing signed by or on behalf of the assignor. Copyright, Designs and Patents Act 1988, section 90

what form a transfer of ownership must take

An assignment of copyright is not effective unless it is in writing signed by or on behalf of the assignor. Copyright, Designs and Patents Act 1988, section 90

An assignment of copyright is not effective unless it is in writing signed by or on…

An assignment of copyright is not effective unless it is in writing signed by or on behalf of the assignor. Copyright, Designs and Patents Act 1988, section 90

CDPA 1988 s.91, future copyright
the United Kingdom

Where by an agreement made in relation to future copyright, and signed by or on behalf of the prospective owner of the copyright Copyright, Designs and Patents Act 1988, section 91

what form a transfer of ownership must take

the prospective owner purports to assign the future copyright (wholly or partially) to another person Copyright, Designs and Patents Act 1988, section 91

Where by an agreement made in relation to future copyright, and signed by or on behalf of…

Where by an agreement made in relation to future copyright, and signed by or on behalf of the prospective owner of the copyright, the prospective owner purports to assign the future copyright (wholly or partially) to another person Copyright, Designs and Patents Act 1988, section 91

Circular 30, commissioned works
the United States

A specially ordered or commissioned work is considered a work made for hire if it satisfies all of the Circular 30: works made for hire (US Copyright Office)

when the employer or commissioner owns it from the start

A specially ordered or commissioned work is considered a work made for hire if it satisfies all of the Circular 30: works made for hire (US Copyright Office)

1. The work must fall within one of the nine categories of works listed above that are…

1. The work must fall within one of the nine categories of works listed above that are eligible to Circular 30: works made for hire (US Copyright Office)

Copyright Office guidance for photographers
the United States

Generally, the author and initial copyright owner of a photograph is the person who “shoots” or “takes” the photo. What photographers should know about copyright

who is the author and first owner

Generally, the author and initial copyright owner of a photograph is the person who “shoots” or “takes” the photo. What photographers should know about copyright

One limited exception to this rule is when a photograph is created as a “work made for…

One limited exception to this rule is when a photograph is created as a “work made for hire.” What photographers should know about copyright

GOV.UK, how copyright protects your work
the United Kingdom

You get copyright protection automatically - you do not have to apply or pay a fee. There is not a register of copyright works in the UK. How copyright protects your work (GOV.UK)

that a photograph is protected

You get copyright protection automatically - you do not have to apply or pay a fee. How copyright protects your work (GOV.UK)

You get copyright protection automatically - you do not have to apply or pay a fee. There…

You get copyright protection automatically - you do not have to apply or pay a fee. There is not a register of copyright works in the UK. How copyright protects your work (GOV.UK)

Each answer in its source's own words (39 quotes)
  • 17 U.S.C. 101, commissioned works (Cornell LII copy), 17 U.S. Code section 101, read 2026-10-03, Whose law it is: (2) a work specially ordered or commissioned for use as a contribution to a
  • 17 U.S.C. 101, commissioned works (Cornell LII copy), 17 U.S. Code section 101, read 2026-10-03, What the provision settles: (2) a work specially ordered or commissioned for use as a contribution to a
  • 17 U.S.C. 101, commissioned works (Cornell LII copy), 17 U.S. Code section 101, read 2026-10-03, The rule, in its own words: (2) a work specially ordered or commissioned for use as a contribution to a
  • 17 U.S.C. 101, definition of a work made for hire, Title 17 chapter 1 (US Copyright Office), read 2026-10-27, Whose law it is: (1) a work prepared by an employee within the scope of his or her employment; or
  • 17 U.S.C. 101, definition of a work made for hire, Title 17 chapter 1 (US Copyright Office), read 2026-10-27, What the provision settles: (1) a work prepared by an employee within the scope of his or her employment; or
  • 17 U.S.C. 101, definition of a work made for hire, Title 17 chapter 1 (US Copyright Office), read 2026-10-27, The rule, in its own words: (1) a work prepared by an employee within the scope of his or her employment; or
  • 17 U.S.C. 201(a), initial ownership, 17 U.S. Code section 201, read 2026-10-08, Whose law it is: Copyright in a work protected under this title vests initially in the author or authors of the work.
  • 17 U.S.C. 201(a), initial ownership, 17 U.S. Code section 201, read 2026-10-08, What the provision settles: Copyright in a work protected under this title vests initially in the author or authors of the work.
  • 17 U.S.C. 201(a), initial ownership, 17 U.S. Code section 201, read 2026-10-08, The rule, in its own words: Copyright in a work protected under this title vests initially in the author or authors of the work.
  • 17 U.S.C. 201(b), works made for hire, Title 17 chapter 2 (US Copyright Office), read 2026-10-28, Whose law it is: In the case of a work made for hire, the employer or other person for whom the work was prepared is considered the author for purposes of this title
  • 17 U.S.C. 201(b), works made for hire, Title 17 chapter 2 (US Copyright Office), read 2026-10-28, What the provision settles: the employer or other person for whom the work was prepared is considered the author for purposes of this title
  • 17 U.S.C. 201(b), works made for hire, Title 17 chapter 2 (US Copyright Office), read 2026-10-28, The rule, in its own words: unless the parties have expressly agreed otherwise in a written instrument signed by them, owns all of the rights comprised in the copyright
  • 17 U.S.C. 204(a), transfers in writing, 17 U.S. Code section 204, read 2026-10-08, Whose law it is: A transfer of copyright ownership, other than by operation of law, is not valid unless an instrument of conveyance
  • 17 U.S.C. 204(a), transfers in writing, 17 U.S. Code section 204, read 2026-10-08, What the provision settles: A transfer of copyright ownership, other than by operation of law, is not valid unless an instrument of conveyance, or a note or memorandum of the transfer, is in writing and signed by the owner of the rights conveyed
  • 17 U.S.C. 204(a), transfers in writing, 17 U.S. Code section 204, read 2026-10-08, The rule, in its own words: A transfer of copyright ownership, other than by operation of law, is not valid unless an instrument of conveyance, or a note or memorandum of the transfer, is in writing and signed by the owner of the rights conveyed or such owner’s duly authorized agent.
  • CDPA 1988 s.11(2), employees' works, Copyright, Designs and Patents Act 1988, section 11, read 2026-10-08, Whose law it is: is made by an employee in the course of his employment, his employer is the first owner of any copyright in the work subject to any agreement to the contrary.
  • CDPA 1988 s.11(2), employees' works, Copyright, Designs and Patents Act 1988, section 11, read 2026-10-08, What the provision settles: is made by an employee in the course of his employment, his employer is the first owner of any copyright in the work subject to any agreement to the contrary.
  • CDPA 1988 s.11(2), employees' works, Copyright, Designs and Patents Act 1988, section 11, read 2026-10-08, The rule, in its own words: is made by an employee in the course of his employment, his employer is the first owner of any copyright in the work subject to any agreement to the contrary.
  • CDPA 1988 s.4, photographs as artistic works, Copyright, Designs and Patents Act 1988, section 4, read 2026-10-27, Whose law it is: a graphic work, photograph, sculpture or collage, irrespective of artistic quality,
  • CDPA 1988 s.4, photographs as artistic works, Copyright, Designs and Patents Act 1988, section 4, read 2026-10-27, What the provision settles: a graphic work, photograph, sculpture or collage, irrespective of artistic quality,
  • CDPA 1988 s.4, photographs as artistic works, Copyright, Designs and Patents Act 1988, section 4, read 2026-10-27, The rule, in its own words: “photograph” means a recording of light or other radiation on any medium on which an image is produced or from which an image may by any means be produced, and which is not part of a film;
  • CDPA 1988 s.9, the author, Copyright, Designs and Patents Act 1988, section 9, read 2026-10-08, Whose law it is: In this Part “author”, in relation to a work, means the person who creates it.
  • CDPA 1988 s.9, the author, Copyright, Designs and Patents Act 1988, section 9, read 2026-10-08, What the provision settles: In this Part “author”, in relation to a work, means the person who creates it.
  • CDPA 1988 s.9, the author, Copyright, Designs and Patents Act 1988, section 9, read 2026-10-08, The rule, in its own words: In this Part “author”, in relation to a work, means the person who creates it.
  • CDPA 1988 s.90(3), assignment in writing, Copyright, Designs and Patents Act 1988, section 90, read 2026-10-08, Whose law it is: An assignment of copyright is not effective unless it is in writing signed by or on behalf of the assignor.
  • CDPA 1988 s.90(3), assignment in writing, Copyright, Designs and Patents Act 1988, section 90, read 2026-10-08, What the provision settles: An assignment of copyright is not effective unless it is in writing signed by or on behalf of the assignor.
  • CDPA 1988 s.90(3), assignment in writing, Copyright, Designs and Patents Act 1988, section 90, read 2026-10-08, The rule, in its own words: An assignment of copyright is not effective unless it is in writing signed by or on behalf of the assignor.
  • CDPA 1988 s.91, future copyright, Copyright, Designs and Patents Act 1988, section 91, read 2026-10-28, Whose law it is: Where by an agreement made in relation to future copyright, and signed by or on behalf of the prospective owner of the copyright
  • CDPA 1988 s.91, future copyright, Copyright, Designs and Patents Act 1988, section 91, read 2026-10-28, What the provision settles: the prospective owner purports to assign the future copyright (wholly or partially) to another person
  • CDPA 1988 s.91, future copyright, Copyright, Designs and Patents Act 1988, section 91, read 2026-10-28, The rule, in its own words: Where by an agreement made in relation to future copyright, and signed by or on behalf of the prospective owner of the copyright, the prospective owner purports to assign the future copyright (wholly or partially) to another person
  • Circular 30, commissioned works, Circular 30: works made for hire (US Copyright Office), read 2026-10-08, Whose law it is: A specially ordered or commissioned work is considered a work made for hire if it satisfies all of the
  • Circular 30, commissioned works, Circular 30: works made for hire (US Copyright Office), read 2026-10-08, What the provision settles: A specially ordered or commissioned work is considered a work made for hire if it satisfies all of the
  • Circular 30, commissioned works, Circular 30: works made for hire (US Copyright Office), read 2026-10-08, The rule, in its own words: 1. The work must fall within one of the nine categories of works listed above that are eligible to
  • Copyright Office guidance for photographers, What photographers should know about copyright, read 2026-10-28, Whose law it is: Generally, the author and initial copyright owner of a photograph is the person who “shoots” or “takes” the photo.
  • Copyright Office guidance for photographers, What photographers should know about copyright, read 2026-10-28, What the provision settles: Generally, the author and initial copyright owner of a photograph is the person who “shoots” or “takes” the photo.
  • Copyright Office guidance for photographers, What photographers should know about copyright, read 2026-10-28, The rule, in its own words: One limited exception to this rule is when a photograph is created as a “work made for hire.”
  • GOV.UK, how copyright protects your work, How copyright protects your work (GOV.UK), read 2026-10-28, Whose law it is: You get copyright protection automatically - you do not have to apply or pay a fee. There is not a register of copyright works in the UK.
  • GOV.UK, how copyright protects your work, How copyright protects your work (GOV.UK), read 2026-10-28, What the provision settles: You get copyright protection automatically - you do not have to apply or pay a fee.
  • GOV.UK, how copyright protects your work, How copyright protects your work (GOV.UK), read 2026-10-28, The rule, in its own words: You get copyright protection automatically - you do not have to apply or pay a fee. There is not a register of copyright works in the UK.
How the figures are worked out

Each provision's own statutes and copyright authority pages on who owns a photograph were read through estate-fetch and stored whole (sha256 on every row).

For every page, three questions were answered from its own words: whose law it is, what the provision settles, the rule, in its own words.

Every stated answer carries the sentence it rests on, checked against the stored text; 'not stated' means the page read does not address the question.

A provision with several pages reads 'varies' where they disagree.

13 provisions, 13 pages.

All 13 sources
Cite it or embed it

13 provisions of US and UK copyright law and guidance on who owns a photograph, each quoted from the statute or the authority's own page, read 28 October 2026.

Whose law it is, by provision: the United States 7 of 13, the United Kingdom 6 of 13 (13 provisions, read 28 October 2026).

What the provision settles, by provision: when the employer or commissioner owns it from the start 5 of 13, who is the author and first owner 3 of 13, what form a transfer of ownership must take 3 of 13, that a photograph is protected 2 of 13 (13 provisions, read 28 October 2026).

The rule, in its own words, by provision: stated 13 of 13 (13 provisions, read 28 October 2026).

Reference: "Who owns a commissioned product photograph", updated 2026-10-28, https://sellproductimagestoai.com/datasets/commissioned-product-photo-ownership/.

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13 provisions of US and UK copyright law and guidance on who owns a photograph, each quoted from the statute or the authority's own page, read 28 October 2026.
Who owns a commissioned product photograph, sellproductimagestoai.com

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